Name: Beastgrip Pro Series - 1.33X Anamorphic Lens
SKU: 5f175cae4f3ed5002af02895
Price: 1500.0 HKD
Availability: InStock

Your Shopping Cart is empty.

${{ (item.variation.media ? item.variation.media.alt_translations : item.product.cover_media.alt_translations) | translateModel }}$ ${{ (item.variation.media ? item.variation.media.alt_translations : item.product.cover_media.alt_translations) | translateModel }}$

{{ childProduct.title_translations | translateModel }}

{{ getChildVariationShorthand(childProduct.child_variation) }}

{{item.quantity}}x HK$0 {{ item.unit_point }} Point

Remove

${{addonItem.product.cover_media.alt_translations | translateModel}}$

{{addonItem.quantity}}x {{ mainConfig.merchantData.base_currency.alternate_symbol + "0" }}

Remove

Beastgrip Pro Series - 1.33X Anamorphic Lens

HK$1,500.00

{{shoplineProductReview.avg_score}} {{'product.product_review.stars' | translate}} | {{shoplineProductReview.total}} {{'product.product_review.reviews' | translate}}

{{amazonProductReview.avg_rating}} {{'product.product_review.stars' | translate}} | {{amazonProductReview.total_comment_count}} {{'product.product_review.reviews' | translate}}

The maximum quantity per submit is 99999

This quantity is invalid, please enter a valid quantity.

Sold Out

Please message the shop owner for order details.

Description

Beastgrip Pro Series - 1.33X Anamorphic Lens

Professional-grade 1.33X anamorphic lens
Adds a beautiful widescreen 2.4:1 aspect ratio and beautiful lens flares
Perfect for cinematic storytelling, documentaries and capturing wide landscapes
Compatible with Beastgrip Pro and Beastcage
Note: requires app or post-production editing that supports 1.33X anamorphic de-squeeze
Includes built-in 58mm lens filter mount, carrying pouch, microfiber cleaning cloth, and front/back lens caps

Our most cinematic lens. Mount it into any Beastgrip rig for a widescreen aspect ratio and dramatic lens flares that you’re used to seeing in your favorite films. You can mount your favorite 58mm lens filters for better saturation, reduced light, etc.

Works especially well for filmmaking, commercials, and wide landscapes.